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How To Stay Motivated When Writing Your Book

by 84 Comments

In a shocking turn of events, writing is very hard and it is a lot easier to take a nap.

And look, I’m admitting this when I’ve written 30-full-length novel drafts, had 2 books published by Hachette, and am neck-deep in currently editing a draft that is 100,000-words long. I write a lot and it is, still, very hard.

“c.g., listen,” you say seriously between bites of toast because I always mention food on this blog so you’re getting a headstart, “you are doing a very terrible job at talking about motivation.”

I am terrible. 😌 But I have only just begun, so sit tight.

I get asked a lot “how do you stay motivated to write?” and it is a valuable question that I think about a lot, but usually answer very badly.

“Uhh, I just do?”

Not particularly helpful.

The truth is: I want to be an author, and that want usually outweighs my need to merge languidly with the carpet. But there are still a lot of smaller things that all tie into my need (and want) to keep myself motivated to write. Because a lot of the time my #1 thought is: “I DON’T WANNA.”

So I thought it would be most helpful to list them for you and maybe you’ll find a trick or two that will give you that extra motivating shove.

And if it doesn’t, let me know and I’ll give you a shove 🤗 off a small cliff hehe

➢ treat writing like a job

I do have the absolute privilege (backed with an intense 10 years of unpaid hard work) of being a published author. I can walk into a bookstore and pick A Thousand Perfect Notes and The Boy Who Steals Houses off the shelf because I finished them. THAT is motivating.

But ok ok, say you haven’t gotten there yet. You’re a green author and don’t know what you’re doing. Or maybe you’re an old-hand author, been writing for years but you never seem to get where you want to go. Maybe you’re in the middle. Either way, you can still consciously choose to treat writing like something to prioritise.

I haven’t been prioritising my blog recently (SORRYYYY) and you can tell. Sporadic posting. More reviews. I keep using emojis because writing is hard. (Spoiler: you can’t???? use emojis??? In your novel??? Shocked and dismayed.) I used to treat blogging like a job and I murderously protected my time that I needed to put into it. I’ve swapped and am channelling that to writing (more important for me right now; but I’m not quitting blogging!). Sometimes you have to make the conscious effort to do this: prioritise writing, make it non-negotiable that you have to work on it.

And stop calling yourself ASPIRING. You are an author. If you want to be published, you need to treat yourself like a professional, not a potato.

 

➢ Make yourself

You can’t just NOT show up to work. ¯\_(ツ)_/¯ Look sometimes I don’t want to write. I hardcore procrastinate. Instagram is currently teasing me for #ProcrastiBAKING, and tbh I am well fed but there are no chapters written. 

But I just make myself. I write a chapter even when I don’t feel like it.

“But won’t it be bad quality???” you say.

Maybe? Maybe not? If you only wait until you’re maddeningly inspired in a hot rush, you won’t get much writing done. Some of my best chapters have come in the midst of a writing session where I told myself to work.

 

➢ Actually figure out why you don’t wanna

If I whine “I don’t wanna” there’s usually a reason tucked behind it. And not just that I am a lazy bucket. Because I’m not?? I’m a hardcore SlytherPuff overachiever and I want to work HARD and also achieve EVERYTHING. 🙌🏻Except….for when I don’t. My top reasons for not wanting to write are usually:

  • I’m scared I’m writing it wrong and it’s not good enough. (Translation: self doubt and anxiety. Usually the fix is to tell myself to shut up and finish the draft anyway. You get better by writing more.)
  • I don’t know how to do this scene. (Ok fair, don’t write yet. Purposefully brainstorm. I go for walks. Unless I can visualise the scene beforehand, I usually get really stuck on it.)
  • It’s gonna be haaaaard work. (Translation: yer a lazy, Potter. The cure is to just go do it)
  • I’m no longer invested in what I’m doing. (This rarely happens to me…because I don’t start a project unless I’m obsessed with it and have been for a looooong time. But if it does happen, I figure I need to backtrack or reboot this draft.)
  • I’m tired. (Translation: burn out is here, can you take a day off? refill your creative well? Make a new playlist, read some books.)
  • It takes me so long to get into the zone that when I finally get there, writing time runs out and I have to stop. (Big mood. I am still waiting for a fix for this. But sometimes it genuinely comes down to just accepting your process and STOP comparing yourself to how other writers do things.)

 

➢ Bribes 🎶 bribes 🎶 bribes

Hey no shame if you need treats to get through. I legit bribed myself with chocolate last night to edit 3K. I even edited it down to 2.5K to get to the chocolate faster. (Which is actually a good thing because this current WIP is far too long.) But do not underestimate the power of the treat. Do you deserve cake? YOU DO.

Obviously food rewards aren’t always helpful (for like, lol, your waistline) so bargain with yourself to buy a new book when you finish a draft, or watch a specific TV show, etc. (I get to watch Stranger Things 3 when I finish this draft.) If you finish this chapter, you get to scroll Twitter for 10mins. Or go hardcore and tough like: yOU GET LET OUT OF YOUR CHAINS IN THE BASEMENT IF YOU WRITE, DAMMIT, GIZELLDA.

 

➢ Make sure you’re writing what YOU want

I find it very motivating when I actually am proud of my work. When I want to write because I can’t wait for that next delicious scene. It might seem obvious, but sometimes we need to stop, breath, and consider if we’re writing what excites us. Are you facing putting your characters on a long desert roadtrip and you’re like “bleh don’t wanna write today”?? Consider it’s the SCENE you don’t want. If it bores you, it will bore the reader.

I once heard an author say leave yourself tasty cookie crumbs through your plot. (I feel like it was Susan Dennard but I’m not sure?? Correct me if you know!) Make sure there’s always a scene coming up that you’re 😍dying😍 to write. For me it’s usually a bantery scene.

 

➢ get a writing buddy

Writing can feel so lonely…but it honestly doesn’t have to be! I have incredible writing friends and we talk craft and swap chapters and yell encouragement at each other. We hype each other up as well as listen to the low times. We get competitive and keep up our daily word counts. This year has been so rough and low for me…I pretty much wouldn’t be working on my current draft without @cosyreads encouragement.😭💛

Now, yes, it can be hard to find someone to be a really close writing friend with you. But if you do = invaluable. I think this is why things like NaNoWriMo work so well! It feels like one big writing club.

 

➢ sticker charts

This is also a direct result of @cosyreads 😌she uses sticker charts which inspired me to use a calendar (I think Schwab also does this too). Right now I’m ticking off working days on a calendar in my notebook (it is a pretty calendar which is important) and you’d be amazed at how inspiring it is to not want to break a streak.

 

➢ focus on your ultimate goals

Write them down if you have to. But what do you want? Do you want to be a published author? Then 🗣 write 🗣 the 🗣book. Motivation for me boils down to: it’s really rather addictive to see my books on the shelf. I want that again and again. So I need to write. Even when writing sucks for no good reason. (And sometimes that happens too!) But I most desperately want finished books and to have success.

Finishing a book can be the hugest motivation. Keep your focus on that.

| what do you think? |

tell me your tips and tricks to keep motivated? do we have any of the same methods? have you ever realised you’re not writing the book that excites you? 

 

Happy Release Day to The Boy Who Steals Houses!

by 93 Comments

The fact that I get to type out the words “my 2nd novel releases today!” is turning me into a pile of emotions.

I just 😭😍 I’m so grateful and also fiercely fiercely proud that The Boy Who Steals Houses is out today. In bookstores! On shelves! Arriving in mailboxes across the world to slowly and lovingly steal year house too! I fought really hard for this book and the journey wasn’t easy — but it’s here.

Both my books are incredibly special to me. A Thousand Perfect Notes began my publishing journey. The Boy Who Steals Houses wholly contains my soul. And I just want to say thank you to everyone who’s read them, is going to read them, and has let me take up space in your shelves and in your hearts.

And then I just want to say AHHHHHHHHHHHHH because I gotta.

AVAILABLE TO BUY NOW AT

Goodreads | Amazon US | Amazon UK | Booktopia | Book Depository | Waterstones

It’s also out in Australia on the 9th! And it’s a UK + Australian release only, so if you’re in the USA you’ll need to order online!

I wrote all my messy emotional thank-yous in the back of TBWSH, but extra love needs to go to:

My super agent, Polly Nolan! Who has to scrape me off the floor on occasion and absolutely believes in my writing. And my editors, Rosie McIntosh and Megan Larkin, who turned my book into something exceptional. Plus the whole Orchard team. So many people go into making a book! SO. Many. It’s incredible and I’m so grateful. 💛

And the most massive thank you to Maraia and Mia…you both omg. 😭💛I don’t think I’d even be here without your support.

And you…you know who you are. All of you supporters of my online work. My followers and cheerleaders. You tell people about my books and recommend them and buy them and blog about them. And it makes the absolute world of difference. I hope you know I can never thank you enough. 😘

 

Just a little bit of news…

 

＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚

I’m going to leave you with some snippets and then sprint away into the dusk to eat ice cream in celebration.

I mean, shh, I know as a cake enthusiast, I should really be eating cake. But the world has gifted us with dairy free magnums and I am alive for the purpose of consuming them.

And lastly a peek at the fanart I commissioned of Moxie and Sam!

I’ll be doing a giveaway of prints later (just waiting on them to arrive). It’s by @parvaillust and everything about it is SO perfect, I can’t stop staring! My kids!!!

thank you all for your incredible support for this book that means so so much to me!!

ahhh i’m so tired and happy 😍

 

What It’s Like To Write An #OwnVoices Novel (Ft. Autism Pride Month!)

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It’s time for a happy shimmy because it’s Autism Acceptance Month!

And honestly a happy shimmy is the best reaction to this because we autistics do love to stim. And yes, a lot of people call it “Autism Awareness Month” but you know what? People are aware. They just don’t accept us…plus I’m 99% sure Autism Speaks invented this phrase and they are actual problematic garbage. So I’m here for saying Autistic Pride and Autism Awareness and I can’t be stopped. 🙌🏻

Last year I did a post about how to tell if a book has good autism rep + some book recs, but this year, since it’s just THREE DAYS until my novel, The Boy Who Steals Houses, is out, I wanted to do something a little special and talk about…

what it’s like to write a novel with #ownvoices representation!

I have a lot of Thoughts™ about the actual concept of writing #ownvoices novels, because the main reaction to them is usually, “Oh at least that author had an easy time! They’re just writing what they’ve lived.” Ohhhhh sweet crepe, that doesn’t make it easy. So I want to talk about that in a little more detail!

Before I go on though, I’m super excited to point you to The Boy Who Steals Houses’ blog tour!

I’m over at A Little But A Lot with a whole deleted scene (it’s super cute!! and about potatoes and LOVE) and at No Safer Place for a really heartfelt review. So please check them out if you get a chance! There’s also going to be a post coming up about why Autism rep is so important in YA and an interview with my cover designer! 👀

PREORDER DETAILS

Goodreads | Amazon US | Amazon UK | Booktopia | Book Depository

Let’s talk about writing…

I wrote two #ownvoices storylines into The Boy Who Steals Houses. (1) being anxiety rep for my protagonist, Sam. (2) being autism rep for my secondary character, Avery. (Although I lowkey admit Sam could be diagnosed with autism too tbh. But he isn’t labelled on page, so discern what you will 🙌🏻)

Writing #ownvoices experiences left me with a lot of Thoughts™ which I’m about to share with you whilst I eat a chocolate chip biscuits and remember the good ol’ days when I got blog posts up on time. (It is…not…this day.)

1. Writing #Ownvoices includes a lot of pressure.

The thing people don’t realise is that ONE #ownvoices experience ≠ everyone in that marginalisation’s experience. I wrote Avery’s autism to be HIS autism. It isn’t 100% mine. I wrote the way we think and react to things rather similarly, but I didn’t want to author-self-insert, so his character still required a lot of rewriting and research and thought. But some people are going to read this book and think Avery isn’t good rep because he’s not relatable to them. So that’s nerve-wracking?! And I also turn into a moss-covered stump when I think about mistakes I might have made. Because that happens!! I’m not perfect and I’m still growing as a writer and human. (Although, um, not literally growing? I am very smol and that hasn’t changed since I was 14.) (dammit)

I think #ownvoices stories are asked to be perfect and relatable to everyone within that marginalisation. And that can be super intense to take on.

 

2. autism is also such a huge spectrum to try and capture

Basically: YOU CAN’T CAPTURE ALL OF AUTISM IN ONE CHARACTER! It’s impossible. There are higher-needs people who must have a 24/7 carer. There are also autistics out in the world with jobs and families. There are those of us in the middle (meeee and also my character, Avery) who cope with so many things but completely fall apart in other aspects.

Plus Avery isn’t the narrating character, so I built him through a lot of flash backs too.

(And yessss, I would love to write more about Avery…and also Sam and the De Laineys. But it’s largely outside of my control.)

 

3. you have to figure out how to tackle stereotypes

Because here’s the deal: stereotypes can have their nuggets of truth. They did spring into existence from somewhere lol sob. When I wrote Avery, I just wrote him. Then later I started to fret…ok he’s a white teenage boy, aka the most typical autism rep. It was what my story needed, but am I a total fail for this?! He’s also really obsessed with cars…another “typical” autism rendition in media. (But confession: I was obsessing over Baby Driver loooool so that’s where it sprung from.)

But here comes the difference: Avery is more than a stereotype. He has complex thoughts and feelings, he has dreams and wishes. He also is extremely physically affectionate, a boy who craves pressure hugs and was clinging to Sam long after it was “socially appropriate” for brothers to hug. Lots of people equate autism with = hating touch. I hate touch! But not all autistics do.

So here’s the difference when it comes to stereotypes.

…a marginalised character shouldn’t just fit stereotypes and nothing more.

If a character is just a list of stereotypes to tick of a list…then it’s probably not good rep. Because humans are uncanny creatures who don’t fit in designated boxes.

 

4. You also know way way way too much!

You’d think this would be a good thing right?! BUT, UGH, I KNOW TOO MANY THINGS. I think this goes for anyone who is a master of a topic: how much do you say?!? You don’t want to lecture. You don’t want to overwhelm readers with information.

It’s a burden to Know Many Things™. Smh. Bring us cake and condolences. I mean.

 

5. it’s hard to be vulnerable and then put yourself out there

#Ownvoices authors are brave and wondrous things, because we’ve just put our heart on the page. Some people are going to hate it. Some will connect with it. It will be critiqued and analysed. It will be compared to other stories like yours…and maybe you’ll fall short. It’s just A LOT. And you can both want this and also be anxious about it. 

I was so thrilled when I read someone’s review that said Avery reminded them so much of autistics they knew and that they felt the love for autism on every page.

So here’s the thing: I got to write Avery, a messy disaster, who is also unconditionally loved. It was special to me to write that and know it’s hitting other people’s hearts. It makes everything 1000 x worth it. I think there is so much power in #ownvoices stories.

(And none of this is to say “ooh how dare anyone critique my book!” Of course people should critique it. I won’t be reading that lol, but it’s a book like any other, to be loved or not.)

It’s important to know that #ownvoices books don’t necessarily equal easy books to write.

But they do equal absolutely special and heartfelt and IMPORTANT books. Because no one can capture an experience quite like someone who lives it. 💛

And they’re also so therapeutic to write. it’s like finally getting to talk about your perspective, your feelings, your truths — without being interrupted.

I’ve read a lot of books with autistic characters and a resounding theme (especially from non-autistic authors) seems to be “fixing” the autistic character. Getting them to stop their autistic tics and stims, break their routines, make eye-contact, and be more socially apt…and then letting them find love. Autism is always their personal villain. And sure autism really sucks to deal with at times. I live it! I know. I’ll be honest…today was completely shitty for me when my routine got messed up. And I feel a little fragile and drained as I write this blog post.

But being autistic is a huge part of who I am. How I think. How I see the world. And I love that about it. and getting to write an autistic character? It meant the world to me.

Avery’s autism isn’t the villain of the book. His decisions aren’t great (lol, sorry Avery) and he’s naive and vulnerable. But he also wears his heart on his sleeve. He loves Sam fiercely. He’s clever and witty and has an infectious laugh.

And he’s not broken.

I’m just so grateful I got a chance to write this book and fill it with love and ACCEPTANCE and pride.

＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

 

right, your turn!! tell me some #ownvoices books you’ve read? and some autistic characters in books you’ve enjoyed?!

 

What Is It Like Having Your 2nd Novel Published? (Ft. I Have A Finished Copy of The Boy Who Steals Houses!)

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In exactly 12 days, my second novel (The Boy Who Steals Houses) will be out in the world.

Why yes I am absolutely 1000% freaking out, how are you. The weeks leading up to release day are equal parts thrilling and terrifying — and I still feel like I’m trying to find my footing after my debut, A Thousand Perfect Notes, came out just last June. Yes. That was only 10 months ago.

Am I tired??? Dude I am Very Tired™.

When I got to make the official announcement for The Boy Who Steals Houses’ release date + title, a lot of people said, “I can’t believe you have a second book already!” But I actually announced I had a 2-book deal right up front! So this was always always coming! I still have to pinch myself that I even landed a 2-book deal in the first place.😍 TBWSH wasn’t even written! It wasn’t even a blimp in my imagination yet! Being trusted — and wanted — like that was such an encouraging way to start my career.

My emotions were !!!!!!!!!!! for days and days.

 

So I thought I’d outline how The Boy Who Steals Houses came to be.

I was going to do this closer to release day but then I realised: “CAIT. IT IS CLOSE TO RELEASE DAY HOLY HECK GET ON THIS.” This is also a good time to admit I have very limited time-and-spacial-awareness. I’m the person who cheerfully believes, every. freaking. time., that I can fit 6 hours of writing into 30mins before bed. And then I wonder why I never sleep, but anyway.

 

Also I hope you are beholding the GLORY that is the finished copy of The Boy Who Steals Houses!! I got sent two (the rest of author-copies will come later) and I may have just cried over my package. (I sent the second one off to my critique partner Maraia who this book seriously wouldn’t exist without.😘)

PREORDER DETAILS

Goodreads | Amazon US | Amazon UK | Booktopia | Book Depository

Also NOTE: It’s out in Australia on the 9th, instead of the 4th! So you get to suffer and wait longer.

I wrote The Boy Who Steals Houses in November 2016.

It was a NaNoWriMo novel! It was also a heckin’ mess. So if that doesn’t encourage you to resuscitate your beloved but also catastrophically messy NaNo drafts — then what will. There is hope out there, in the darkness.

I’d signed my 2-book deal (starting with A Thousand Perfect Notes) back in June of 2016, so I didn’t know what that “untitled 2nd contemporary” was going to be. My plan was to write a ton, cry a bit, and pitch ideas to my editors. I ended up writing two full novels and coming up with a few other pitches. Writing grew strangely hard right then. I had ATPN signed and in edits and there fore I had plenty of time to panic. (Ex: COULD I EVEN WRITE?!?! WAS ATPN A FLUKE!?!? have i ever written a novel in my life).

Am I dramatic?? Pshaw.

Anyway. The pitch that everyone pointed to with a YES was for → The Boy Who Steals Houses.

(What about the other contemporaries I’ve written and pitched? Some got rejected, as that’s the business. And some I’ve scoured their cold corpses and gone through their pockets to take scenes for other books.)

 

TBWSH was officially confirmed to be my 2nd novel around November 2017.

That’s pretty fast ok!! Almost exactly 1 year since it even crawled sulkily into existence.

And next?

edits edits edits edits edits edits edits edits edits edits

Actually the whole process of how TBWSH got to be a final draft felt very different from how it went with my debut, A Thousand Perfect Notes. So basically n o t h i n g is certain. Except cake. Bless cake.

➸ The Boy Who Steals Houses required a rather large edit.

The first things authors do when asked to rewrite something is: cry. I cried. It was a daunting taste and I was a New Green Author Hatchling still (ATPN wasn’t out yet remember). I was also insecure about writing about two things that were very personal to me: (1) anxiety, and (2) autism. When you splatter your heart on the table and people say, “Hm, this needs to be better,” it’s a terrifying moment of: I’m wrong. How could I be so so wrong. I shouldn’t be writing this. Cue me staring into the bottomless pit of despair.

So that life meltdown lasted, um, one day. Then I wanted to work.

The thing with being a traditional author and working with your editor is: they are ON YOUR SIDE. They see your work, they see the imperfections and the gnarly edges that you don’t see. Because you’re way too close to your own vision of the project. Half of my intentions for the story where still in my head. NOT on the page. They kinda needed to be on the page!

So we fixed it. We got MY full vision on the page. I worked with my editors ideas. (My agent is really supportive and close in my journey too and weighs in when I need her!) We made the book 100 x better, kept my vision, polished it, and turned out a book I’m so intensely in love with it makes my heart fit to burst.

Changing your story, your baby, will always be scary. But writing a novel isn’t a one person job. If your editor knows your book’s heart and knows *your* heart, then you’ll both work your hardest to turn this story into a fully incredible novel.

I emphasis this because I get a lot of unpublished writers tell me, “Yeah but I don’t want anyone to *change* me.” And look, I get the stubborn feels? Like I said: this is our baby. Our hardest work. But your editor is here to make it your best work. Not just your hardest. You’ve got the passion. They’ve got the professional knowledge to get your passion into trim shape.

ugh i love just love having people help me with my work lmao otherwise I’m a mess

 

Things That Changed Between Drafts

  • I added in the flash backs!! I LOVE THE FLASH BACKS. These were my editor’s idea.
  • Also fun fact: I legit wrote “backflash” every single time in the manuscript and my editor is like, “Uh did you know it’s flashback?” Well there.
  • I trimmed some scenes. I felt sad losing them, but also…the book was really long and as cute as the scenes were, they were pointless haha. (But you WILL get to see a deleted scene as part of my blog tour! More details will come!)
  • Avery’s character got a large overhaul. He’s my autistic character and I was scared to change him — but also the way he is in the final book? It’s 1000% what I wanted but didn’t quite get to originally.
  • The violence…had to be…toned…down. (Lmao. I swear I’m nice in person in real life.)
  • Approximately 39849839 typos had to be fixed.
  • I actually changed almost ALL the De Lainey kids’ names! The sole De Lainey who kept their name was Jeremy. I named him after A CHILD’S PICTURE BOOK ABOUT A KOOKABURRA.
  • And we did a bit of UK vs Australian translating. Apparently the British do not have “eskys”. What’s wrong with you lot.

Right! So the massive edits were finished! Then what?

Then waiting. Looots of waiting. I’d maybe do a few more tweaks. Copy edits came in. I did a last minute panicked fix of the very final pages.

I got to see the cover! It’s designed by Thy Bui who also did covers for: Shadow & Bone, The Astonishing Colour of After and Everless! I originally did hope it was going to be more yellow, because it’s a Goldilocks retelling. But in the end it’s perfect and I was stoked with everyone’s reactions. The keys are utter perfection and fit in with the story so well!

Acknowledgements writing time: aka when I freak out because WHAT IF I FORGET SOMEONE. I got all emotional while writing them though, so when you read the acknowledgements: picture me with my heart melting like a pot of warmed chocolate.

The dedication? I used a line out of the actual book:

if lost please return to the De Laineys

This captures both everything Sam feels and everything my readers also feel (!!) because, no joke, I am getting constant messages saying “I WANNA BE ADOPTED BY THE DELAINYS TOO.” Mood, my friends.

 

And on April 4th it’s going to be in bookstores 😍 and I’m going to be a happy mess.

This book stole my heart. It is both a story where I wrote vulnerable things and also heart things. There were so many times I thought it wouldn’t make it — but it did. And I just…!! Do you want to get an umbrella so I can cry on you, maybe? Because, me right now.

And look, I don’t know what happens after TBWSH. Being an author isn’t a place of guarantees. I have fingers so tightly crossed that TBWSH will do well, sell well, and be loved — and that I’ll be able to sell another book and keep telling you all my heart’s stories. So we’ll see, OK!?

Right now I’m excited and anxious about release day. I’m in love with this book and I can’t wait for you to meet my disaster son, Sam, and his desperate wish to find the home and family he is looking for.

 

Do You Want To See The Cover for The Boy Who Steals Houses?!

by 164 Comments

I’m absolutely beaming right now because it’s time to share the cover for The Boy Who Steals Houses!

We are coming ever closer to the April 4th release date (70 days to go, to be specific) and I’ve been doing exciting things like writing acknowledgements (still a surreal experience!!) and seeing page proofs and excitedly awaiting the moment when I get to hold a physical copy of TBWSH. Which is, arguably, the very best moment of all.

But the cover…!!

Are you ready?!

 

Book Depository | Hachette UK | Amazon UK | Amazon US | Booktopia Australia

Preorders do so much good for new small authors (like meeee) and bonus, the book is usually a bit cheaper before release day! If you’re in the USA, your best option is Book Depository! They do free shipping too. Amazon US will get it in, but so far only the kindle is up for preorder. I think this is because I’m not published in the US. But who would know!

and you can add it on goodreads…!

 

🗝 yes there will be ARCs and it’ll be up on Netgalley UK!

This should happen early February, but I’ll keep you updated from where you can request. (Physical ARCs will only be for those in the UK and Australia, as far as I know.)

 

🗝 and this is a good time to say…if you ever want to interview me or share about TBWSH or ask any questions — GO FOR IT.

I do not bite (well, not on weekends anyway) and I love you so much. I’ve had a few people message me starting off with, “I’m so sorry to bother you…” pfftshtfffsfs. YOU ARE NOT A BOTHER. I’m immeasurably grateful to you.

 

🗝 The Boy Who Steals Houses is not a sequel to A Thousand Perfect Notes.

They’re set in the same universe though!! There may or may not be a wonderfully placed cameo or mention or two.

 

🗝 It’s 360 pages!

Compared to ATPN’s 288…so someone got long-winded ha ha. Although, as I was reading through for the 180th time and crying over copy-edits, I pledged to myself never again to write over 300 pages. So much more to edit. Why do people write 100K books. Why…why would they.

 

🗝 The keys on the cover mean things.

So many things…

 

🗝 There’s a lot going on in this book and I’m very proud of it.

It has homelessness and big messy families. It has anxiety and autism. It’s set in summer, so there’s popcorn and mangoes and a soft yellow pocket of happiness before everything goes really bad. It has brothers with a very intense relationship. It has a very soft and tentative romance (between a Hufflepuff and a Slytherin). It is a genderbent modernised Goldilocks retelling. There is banter and snark…and also tears and bloody knuckles. When I say “I’m going to make you laugh AND cry…” dude, I mean it.

It is dark and light and about being lost and found.

It’s about looking for something and stealing the impossible.

And there is a heck tonne of brownies in it because I drafted it for NaNoWriMo 2016 and I was home alone for a week and brownies is one of the few things I can bake. So like. There sits the truth of my inspiration.

 

🗝 I’m never going to get over this whole AM AN AUTHOR thing.

It’s just my dream, ok?! The process isn’t all perfect and I still have so many wishes I’m desperate to come true. But just !! knowing people read and enjoy my work, having publishers and an extraordinary agent who root for me, and being able to unravel the stories that make my heart beat faster…I’m so so grateful.

(And wouldn’t be here without my blogger-friends’ support! So thank YOU.)

 

me @ not being able to wait to take proper photos of it

well I am a happy swamp right now!!!! what do you think?! are there fairy tales you wish were done in contemporary and/or genderbent? ready to be broken by meeee again? 

5 Things I Did (Before I Was Published) To Become A Better Writer

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One of the top questions I get asked now that my first book is out in the world is, “hEY BUT HOW DID YOU DO IT???”

And to this I say: ¯\_(ツ)_/¯

Okay I’m juuuust kidding. I do actually have about 13% of a clue what I’m doing. This is a staggering percentage and we are all in awe of it. (Hush. Act in awe.) I’ve basically been writing seriously for 9 years. I’ve been agented for 5 years and had a book published by Hachette UK for, ah….2 months. SO! I have a lot to learn still about being a published author. (I still rather feel like the child with muddy gumboots in a room full of Adult Authors.)

But I did get here. And I did do a lot of things that I truly think helped me get here. YES there’s a bit of luck and timing involved, but also freaking haaaard work. It’s easy just to say: “Oh look!! Cait has a big blog!! Now she has a book deal!! It came so easy for her!!”

Haha. Haaa hahahaha. No. I worked hard for YEARS so let’s see what I was doing, hmm?!

1. I WROTE MILLIONS OF WORDS AND OVER 30+ BOOKS

If you’ve followed my blog for a while, you’ll know I am a wild writer like this. In 2017 I wrote a million words (including outlines that went over 40K sometimes, and 7 novels…some of which were over 130K). That is a LOT OF WORDS. And truly, I needed them to learn how to write. Some might learn to write a lot faster than I did…but I needed SO much practise. All these horrible gnarly drafts (starting from age 15) got my to where I am = a published author.

Are these 30 drafts something you might read someday???

LMAO. They are not.

“So what was the point of writing them all??? Wouldn’t it have been better to write less books but write them better and work on them harder?”

Look this is a seriously good question. I did edit some and rewrite others. Actually the 16th draft I wrote was what became A Thousand Perfect Notes.

Personally, I needed to write a lot to learn. I wanted to experiment. I wanted to chase that glittery idea that probably wasn’t marketable. I had the time to do this and the energy, so like, why not?! I would NOT be writing how I am today if I didn’t have dozens of “practice novels” in the dust behind me. 

Most of these novels are: (A) HORRIBLE because I wrote them when I was, um, smol and deluded, (B) some I’ve actually repurposed bits and pieces into newer novels, (C) they gave me a chance to experiment with so many styles and genres! I learned my favourites and what I didn’t like to write about, and (D) I might still go back to some of them!!

Nothing is wasted. They all taught me.

This doesn’t mean YOU have to write 30 novels before you’re published. The point is: WRITE WRITE WRITE. Don’t just write one book, write more. Don’t except yourself to be excellent now. Practise. If you write and it’s not as good as it was in your head? WRITE SOME MORE. 

And heyyyyy = have fun with this, ok?! I have such fond memories of all these books and characters!

2. I LEARNED HOW TO REWRITE AND EDIT

This follows directly on from the last one but seriously: DO NOT JUST WRITE FIRST DRAFTS. You learn almost everything by rewriting and editing. Books aren’t writing, they’re rewriting. So if you’re dreaming of being an author and you’ve never learned to edit??? Goooo, fiend. GO. This is absolutely where you need to apply yourself.

3. I RESEARCHED PUBLISHING ALL. THE. TIME

People often think researching is sitting down for an hour and Googling around. WELL ACTUALLY. It’s something you kind of need to do…all the time. For years. I didn’t learn about agents and book deals and editing and submissions all at once. I learned it over several years with constant reading of author blogs, agent blogs, tweets, youtube vlogs and teaching sessions, articles, facebook groups, etc. etc. I just SUBMERSED myself in it as much as possible.

YES I asked real people questions…but mostly I learned by reading the information available online. There’s a lot. It’s hard to know where to start, but soon you click on one thing that leads to another and another and VOILA. You are gathering information. (You don’t have to do this ALL in one day!! So don’t be overwhelmed!)

PRO TIP: Don’t ask me “how do I get published” if you’ve never never researched for yourself. #siiiiigh (But I am VERY MUCH HERE to answer specific questions if you have them! And providing I can actually help!)

4. I LEARNED TO HUSH MY LITTLE SELF AND LISTEN

This is actually hard because you NEED to learn to listen and take on advice…but you also can’t listen too much. Like sometimes I absolutely freak out (STILL!!) because there’s so much to learn and know and remember and EVERYONE’S ADVICE CONTRADICTS. What can I write?? What can I not write?? Do you want this type of agent? Should you pitch? Query? Hire an editor? Get sensitivity readers? What country should you aim for? Should your debut be a series or standalone? Is your style marketable? If you get anxious about all of this, will you turn into a lizard? DoES ANYONE KNOW WHAT THEY’RE DOINGGGGGGG.

Anyway. It’s a trip to figure all that out.

But it’s still important to: 

  • Listen to what agents tell you (nope you are NOT the exception to a rule)
  • Listen to what readers are saying (because they will point out things you didn’t think about, especially regarding content if you’re writing something not directly in your experience)
  • Listen to what your writing buddies are saying (and GET SOME if you don’t have any! Seriously you can’t pick up all the problems with your novel yourself. There are always things that get left in your head and don’t make it to paper like they should. FEED BACK IS 100% THE BEST THING. Don’t be scared of it. Don’t hate it.)
  • Listen to the trees. Most people say “why would you do that” but seriously you can say it’s important to sit in a forest and listen to the trees but in reality you can just take a nap. You deserve a nap. We all deserve a nap.

5. I READ UNTIL MY EYEBALLS FELL OUT

I can’t even saaaaay how important reading is! These are your BEST TEACHERS. If you ever get stuck with writing (“how the heck do I write an action scene?!”) read back through like 5 or so of your favourite books’ action scenes. ANALYSE them. You can do this for any type of scene! Dialogue. Characterisation. Description. Let books TEACH YOU.

You also need to read so you know (a) what’s overdone or trending or popular or avoided (probably for good reasons!), (b) what’s happening amongst your bookish peers, and (c) because it stops you turning into a goblin who eats children at night.

Also 10/10 you can buy books for “work now”. This is perfect. Nothing can go wrong.

  

 

what’s the best writing advice you’ve been given?! and do you prefer 1st drafts or doing rewrites/edits??

How To Keep Writing When You Have A Mental Illness (And Just Kinda Want To Shriek)

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Yes, many writers struggle with mental illness. And no it’s not charming or helpful for our work.

Writers are often stereotyped to be, at the very least, depressed. And (I’m not kidding) there are people who openly say artists HAVE to be mentally ill to create good art. And do you want to know what I think?? mY FULL OPINION IS: NO.

Writing while being mentally ill is hard. It’s not a lot of fun and often it makes us quit, or lose opportunities, or not enjoy something we truly love because it’s such a fight to keep it up. You need support. You don’t need to be stigmatised or told you’re “broken” or told your work is more valuable if you’re struggling or sick.

I have been diagnosed with social/general anxiety and depression. I don’t say much about it online, but sometimes I want to mention it, because it’s helpful to know you’re not alone. We writers tend to look at other’s work and think, “Yeah they have it together and I never will.” Haha h HAH AH HAHA. No, my friend. I am just a constant silent scream.

So SHOUT OUT TO YOU. I think you’re doing great. And if I may share some things that have helped me…

Tips To Help You Keep Writing If You Have A Mental Illness

…Make Visual Reminders Of The Good Things

For me personally, my brain likes to delete everything good that ever happens. This sucks, but I don’t think it’s fully our fault. So I collect good things. Nice comments about my work. Tweets of people flailing. A really super epic thing my agent said. A beta reader’s comment.

Print them. Stick them to your wall. Put them in a folder on your laptop. DO IT.

This is not narcissistic. And I was about to say “this is not pride”…but actually: BE PROUD.

Recently I had an excruciating round of edits. I ended up with 7 pages of edit notes and this insurmountable dread that I couldn’t do this. I must’ve failed so so bad for my book to need this much work, right??? Well, for starters: no, brain! No! Making something better doesn’t always mean the last version was trash. But that aside, what I did was: I picked out the comments on my edits that were super encouraging and I enlarged them, printed them, put them on my wall.

I have a note that says “Your writing is brilliant here” —> That is the comment I look at when I’m feeling like a pile of stale crumbs.

 

…PACE YOURSELF WHEN IT COMES TO CRITIQUES.

Um, yeah, you still need critiques. You are not going to be a great writer until you get them. (TRUST ME.) Now you already know your brain is going to buckle when you get told what sucks, so pace yourself! Actually prep your brain with coping mechanisms!

Keep these in mind:

☆ don’t get TOO many opinions all at once
☆ you will overwhelm yourself and then turn into a potato and fall into a muddy paddock and ne’er return
☆ 2-3 critique partners/betas is a good idea (I like to have 1 who’ll fangirl + 1 who’ll be tough….balance!)
☆ do not work on critiques the second you get them back!! leave it a few days, a few weeks! mull on them!
☆ be teachable, because you seriously didn’t get it perfect on the first try
☆ NO ONE GETS IT PERFECT. YOU’RE NOT A FAILURE
☆ look at critiques as an opportunity to spend more time with your favourite characters
☆ eat between 2 or 9 cakes

 

…YOU DON’T HAVE TO WRITE ABOUT YOUR MENTAL ILLNESS.

While I do love the #ownvoices movement, I think it brings this expectation to write your own experiences. You do not have to if you don’t want to. There is a need for your voice, your story, your experience on the topic! Of course! But you are actually free as an artist to art about whatever you heckin’ want.

I almost always write anxious characters. But the first time I decided to address anxiety with a label and treatment? My 27th writing project.

Writing your experiences can be (a) triggering and send you backwards, (b) exhausting, and (c) a lot of pressure. So you don’t owe anyone your experience, but do share it if you want to!

 

…WRITING IS HARD FOR EVERYONE.

I have seen people say “No one will publish me because I have X illness.” And look…there are awful agents out there and narrow-minded publishers. Good writing and good authors get snubbed because they’re “too different”. Not denying. It’s not fair and it’s not right either. People gatekeep and diverse authors and books are often turned away because “oh we already have one of those”. (As if every book is the same?!)

But also: Writing is hard for everyone. I mean really hard. I’ve thought of my atypical brain as a reason I haven’t gotten an opportunity. (My first book didn’t sell. It got thoroughly trunked. A Thousand Perfect Notes is the 16th book I wrote and my 2nd attempt at getting published.) But I do think. more often than not, mentally ill authors have the same fails other authors do: bad timing and our writing needing to get better.

There’s a difference between “no one gets my writing” and “my writing needs to get better.”

The point is: when your brain says “this is too hard because of who we are” = your reply is needs to be refusal. You’ve got this.

 

…DON’T FOLLOW SOMEONE ELSE’S SCHEDULE.

There is always that feeling that you have to do “this and then this” to be a writer. I can thoroughly promise that you don’t. Don’t let someone tell you that you have to write every day or use this-and-this writing program or plot with the snowflake-method, etc. etc. Try a ton of methods and skip what you hate.

Do you need to write 500 words and lie down? DO IT. Do you need to write 200 words at a time? THAT’S FINE! Does it take you a year to finish a draft? AT LEAST YOU FINISHED IT!

There are so many ways to get to your goal.

 

…DON’T QUIT. TAKE A BREAK.

I see so many writers say “I can’t do this anymore I quit.” When what they really need is a break. A decent break. I have been one of these writers, don’t worry! I stopped writing for about 6 months. Then I went back because ohhhh look at that…I just needed time off. Maybe it takes you longer if you’re struggling with overload and overwhelm, but give yourself that grace.

So before you get to “I quit”, try:

☆ taking a break!
☆ don’t write or think about writing for at least a month
☆ refill your creative tank
☆ if you need time off??? you take it. you don’t have to do everything all at once
☆ what if you ate a lot of waffles. I’m not saying it’s the cure but I’m not saying it isn’t…
☆  no one should be working all the time
☆ if you still “need” to be working or you panic (I get that!) then try doing something else: plot a new fun story, listen to some different music, write “bloopers” into your story (these are fun!!) or switch up your writing routine
☆ get someone to flail over your characters. 10/10 this helps
☆ raise a kraken as your son

 

…THE BEST WAYS TO GET BETTER ARE BY READING AND WRITING.

This is my #1 advice for any writer at any time. Write tons of books. It doesn’t matter if some are hellishly ugly. Write more and more. You get better by practising. I know this feels like an insurmountable request at times (mental illness often comes with feeling so exhausted from just trying to live) so remember no one is asking you to write a million words today. Or even tomorrow.

But don’t throw it because it’s not working. EVERY writer needs to practise.

SHOUT THESE AT YOURSELF EVERY TIME YOU FEEL LIKE YOU CAN’T DO THIS

  • you don’t have to write EXACTLY LIKE YOUR FAVOURITE AUTHOR to be considered “good”
  • just because it’s not good now, doesn’t mean it won’t ever be
  • yes your brain will self-sabotage and yes you might be physically incapable of writing for a while…but you can still do this. Even if it’s not right this minute.
  • it actually doesn’t matter how long it takes you to achieve your goal
  • holding your own book is 5000000% better than you even can imagine. THINK ABOUT THAT. YOU CAN GET TO THIS.
  • the internet shows you a lot of success stories but I guarantee those authors bled and wept too
  • a ton of your favourite authors are also struggle with mental health! These authors are open about their journeys with mental illness online: VE Schwab and Katrina Leno have anxiety, Maggie Stiefvater and Adam Silvera and John Green have OCD, and Patrick Ness has depression/anxiety.
  • remember to love writing (I know that’s hard) but sometimes it’s actually the perfect escape from your own spiralling thinking to some place where you can control the adventure
  • your story IS important!! no one can tell it like you can.
  • you got this because you’re kind of made of magic

don’t feel pressured to share your mental health struggles if you don’t want to! but if you do…feel free to add your tips in the comments! what keeps you writing? do you write about your mental illness or do you prefer not to?

 

Your Frequently Asked Questions Are Being ANSWERED! (About Publishing, Querying, And If I Ever Sleep???)

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For the first time in my small slightly rabid life, I am about to do a Frequently Asked Questions post.

FREQUENTLY. Do you see that?! Usually I am either (a) making up questions to ask myself because apparently I’m just that needy, or (b) just answering some random questions I’ve called out to the universe for! But this time it’s: FREQUENTLY. Because being an author means a lot of you have the same questions. Good questions! I will give good answers! Lmao complete lie I will most undoubtedly leave some troll answers. I’m just definitely feeling like I’ve made it as an author ok.

Anyway just in case you didn’t see me mention it 29894 times: my debut A Thousand Perfect Notes is now OUT. You can add it on Goodreads and buy it on BookDepository (which does free world wide shipping) or Amazon US. And my neeeext book, The Boy Who Steals Houses, is out April 2019.

I’M FINALLY A REAL LIVE AUTHOR HOW DID THAT HAPPEN.

 

LOOK AT MY SONS

PS. That is not the final cover for TBWSH haha no. But I’ve been told it will be yellow!

Also my author copies arrived and I am 100% using this post as an excuse to show you my ultimate stacks.

WHAT INSPIRED YOU TO WRITE A THOUSAND PERFECT NOTES

I get asked this a lot. And I also go ahead and flap around nervously because THE ANSWER IS SO HUGE. I get inspiration from everywhere. I pull a book together from hearing a piece of music, reading a line out of a book, listening to someone say three words, writing something that means a lot to me, etc. etc.

Some of the influences for ATPN specifically are:

  • It’s a very very loose retelling of a classical composer’s life (can’t say who because it’s a spoiler, but you’ll know when you read it!)
  • Also “apparently” this specific composer was forced by a parent to play all night…
  • Also a small smoosh of a genderbent Cinderella in there (AUGUST IS PRINCE CHARMING)
  • I’m also a pianist, so I wanted to write about a musician!
  • I wanted to talk about low self-worth. I think it’s a devastatingly universal topic.
  • And, um…ok about 13% of the reason I wrote it is also because I wrote “COMPOSER RETELLING HIS NAME IS BECK” on a sticky note on my wall and picked it randomly amongst dozens.
  • I DON’T KNOW WHAT TO TELL YOU. PRETEND I HAVE A BETTER ORIGIN STORY.

CAN YOU SEND ME A REVIEW COPY?

You have to request via my publicist at Hachette Children’s UK! I’m not in charge of this and I’m not super rich so I can’t just send copies to anyone.

Also, when a book is out, usually now is the time to buy it! I know that’s not possible for everyone so: ask your library to order it in too!

WHAT IS YOUR DAILY ROUTINE AS A WRITER?

I actually don’t have one. I write in intense hits, instead of daily. But my average-sort-of-process-to-writing-a-book is:

  • Spend anywhere from 1 week to 2 years thinking up a novel idea.
  • Plot the WHOLE THING in my head like an epic movie.
  • Hate myself for all the explosions I put in due to dramatic soundtracks while plotting????
  • Cait??? This is a freaking contemporary??? You caNNOT.
  • Write an outline (usually 20,000-words). This totally eliminates writers’ block for me while drafting!
  • Write the 1st draft (anywhere between 3 days to 10 days).
  • Give it a break (anywhere from 3 weeks to 10 YEARS)
  • Pitch to my agent and see if she likes it!
  • Rewrite or edit extremely intensely (often I rewrite every. single. word)
  • Get feedback from one or two betas or my sister if I cry enough on her and she takes pity on my pathetic soul
  • REWRITE / EDIT SOME MORE
  • Send to agent.
  • If she says yes we should submit it to publishers: moooore edits and rewrites!
  • Submission to publishers!
  • If I’m lucky enough to land a deal — GUESS WHAT MORE EDITS AND EDITS AND EDITS.
  • A little book, in your hand. And me, sobbing vaguely in joy and also slight deranged madness in the background.

HOW DID YOU GO ABOUT QUERYING FOR ATPN AND HOW DID YOU KNOW WHO TO QUERY?

So firstly: I didn’t query ATPN! I signed with my agent for a fantasy book that we submitted to publishers and it didn’t sell. ATPN was the second book I wrote and gave to my agent. (See?! You have more than one shot at these things!)

And secondly: if you’re asking things like “who do I query”, I’m not trying to be mean, but you NEED to do more research. You need to google and read up on the immense volume of advice that’s out there. I know it’s intense, but you need to do it. Don’t rely on other people to walk you through it, ok? It’s not particularly fair on them to do the work for you. If you want to be an author, you need to do the work yourself.

ARE WE EVER GOING TO GET [INSERT BOOK I’VE BLOGGED ABOUT IN THE PAST]?

Ok so the awkward part about being a blogger and now a traditionally published author is that I have talked about a heck of a lot about projects that you will never never get to read. I’m SORRY. There are so many factors, from (a) if I even like that book anymore, (b) if I’ve kind of reused parts of it in other books thus killing it bloodily, (c) if my agent thinks it’s a good idea?! (d) if publishers are looking for that kind of story, (e) etc. etc. etc.

So I currently have a 2-book deal. I have NO IDEA what will come next! I’m working on things™ and I can’t talk about them! So I won’t say “no” to anything OR “yes” to anything. Don’t you love me.

WAS A THOUSAND PERFECT NOTES OR THE BOY WHO STEALS HOUSES MORE FUN TO WRITE?

Definitely TBWSH was more fun! As you know, ATPN is pretty dark and tense and the cute smoosh parts are brief. TBWSH has a lot of banter and shenanigans (BEFORE I TOTALLY RUIN YOU WITH THE DARKNESS) and there’s a big family in there…so the antics are madness and so so much fun.

I’M SO EXCITED FOR YOU TO READ THIS AHHHHHHHHH.

WILL YOUR BOOK BE OUT IN AMERICA SOON?

For now the answer is no! This isn’t up to me. An American publisher has to want to buy ATPN from my UK publisher and so far no one has.  ¯\_(ツ)_/¯

Book Depository has free shipping though and it is currently up on Amazon US (although they run out of stock quite fast sometimes?!)

HOW MANY AUTHOR COPIES DO YOU GET?

This depends on every individual author and what’s in their contract! I’ve just gotten mine and I got 20! Now 19 because my family seems to think they are fREE FOR ALL.

JUST KIDDING. I LOVE YOU MUM. THANKS FOR KEEPING ME ALIVE IN MY CHILDHOOD.

DO YOU STILL HAVE TIME FOR FRIENDS AND FAMILY WITH YOUR CAREER?

HAHAH JUST KIDDING.

I mean, I need to spend time with family so I can steal their habits and mannerisms, their speech and weird Sunday lunch stories because like how the heck else do you write.

WHY ARE YOUR BOOKS YOUR “SONS” AND NOT “DAUGHTERS”?

Because I’ve only written by boy narrators at this point so thEY ARE MY SONS.

HOW LONG DOES IT TAKE TO ACTUALLY GET PUBLISHED?

Duuuude. There is no ANSWER FOR THIS! Some people take years. Others take (I’m not even kidding) 3 weeks to land an agent and a book deal. It’s your journey and it’s going to be different.

But for me:

  • It took 3 years to go from 1st draft to published novel.
  • It generally takes about two years from signing your contract to getting your book on the shelf.
  • If you sacrifice honey cakes and your least favourite sister to the fairies, maybe things will go faster.
  • Not that I…have….done that….

I also wrote a post on how I got an agent and a book deal.

HOW DOES BEING A PUBLISHED AUTHOR COMPARE TO WHAT YOU THOUGHT IT WOULD BE LIKE?

I actually had no idea what to expect. I mean, it ain’t all glamourous. Things aren’t smooth….there have been a lot of disappointments and hiccups in the behind-the-scenes of what I wanted my “perfect” publishing journey to look like. But hey me?!? Unrealistic expectations much?!

Also I never never realised just how freaking GOOD it would feel to hold your own book. To see it on shelves!! To have people saying they over it and it means something to them. And to make your editors cry. To have professionals in the industry ABSOLUTELY LOVE YOUR WORK.

UGH IT’S SO SURREAL AND INCREDIBLE.

WHAT’S YOUR NEW BOOK ABOUT AND WHEN IS IT PUBLISHED?

It is called The Boy Who Steals Houses and it’s out April 4th, 2019! You can read the proper synopsis on Goodreads but basically it’s about two homeless brothers who break into houses when the occupants are on holidays. Until one day it goes badly wrong…and they end up in a house with a huge noisy family. Genderbend Goldilocks retelling?! WHY YES.

It also features horrible decision making, #ownvoices autism rep, immense amount of sibling bonds, and the kind of ending you’re going to scream at me about. ¯\_(ツ)_/¯

DID YOU HAVE MUCH SAY IN YOUR BOOK COVER DESIGN?

Nope! Total surprise for me and I freaking loved it.

HOW LONG DID IT TAKE YOU TO WRITE A THOUSAND PERFECT NOTES?

10 days for the first draft.

DO YOU EVER SLEEP?

WHAT IS YOUR FAVOURITE THING ABOUT A THOUSAND PERFECT NOTES?

  • It is shiny
  • It is smol
  • It is mine

ADVICE FOR WRITERS WHO WANT TO PURSUE THIS AS A CAREER?

But if you want a book deal? DON’T. QUIT. It seems like the most cliche advice. But seriously! If your book fails? Write another! If you get rejected? Rework it. If you’re not good enough? Write and write and read good books and then write and write some more.

HOW DO YOU GET MOTIVATION TO FINISH WRITING BOOKS?

Holding a finished copy of your book is actually the most motivational thing ever. And I just WANT THIS?! I don’t know how else to explain it! I want it so so so much so there was no way I was ever going to quit or slow down.

WHY DID YOU USE GERMAN IN YOUR BOOK?

Again, because it’s based on a German classical composer’s life! I also had the amazing help of Maraia and Sebastian to make sure my German was, ya know…actually intelligible. My last name is German and my great-grandparents were German immigrants to Australia, but let me tell you: I GOT NOTHING STILL.

WHAT PLANS DO YOU HAVE FOR UPCOMING NOVELS?

I caaaan’t say! Did you know I kept ATPN’s book deal a secret from you for like 16 months? Ya. So I can’t keep you 100% up-to-date on what I’m doing with my publishing journey, but so right now just know I’m working on various drafts, my agent and I have PLANS™ and my publishers * probably want to buy me a pocket dragon because they love me so much.

* This is a full lie.

WHY DID YOU BREAK MY HEART WITH A THOUSAND PERFECT NOTES?

WHERE ARE YOUR BOOKS AVAILABLE?

In Australia, Europe and New Zealand = in bookstores! If it’s not, ask them to get it in.

Rest of the world? Try ordering online at Amazon, Book Depository, Wordery, Booktopia, Waterstones.

OR ASK YOUR LIBRARY.

so if you’ve had a burning question and I missed it?! go ahead and askkkkk. i don’t bite! except when i’m very hungry. and let me know where you get inspiration for your writing from!!

Happy Release Day To A Thousand Perfect Notes!

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My little book is officially out in the world today and my entire mind is just !!!!!!

I’ve dreamed about this day for so so so long that now it’s actually happening, it’s all still so surreal! Although this is the UK release date and Australians and New Zealanders have to wait till the 12th. (SORRY, BUT REMEMBER I’M WORTH IT.) But it’s officially: A Thousand Perfect Notes is in stores and shipping and in houses across the world and…I can’t even.

I CANNOT.

Insert me looking starry-eyed and shellshocked…and so so SO SO HAPPY.

Every time someone sends me a photo of it in a bookstore…or them reading it…or saying how much they loved it…It’s absolutely and completely incredible. UGH EMOTIONS. There were so so many years I thought I would never get here, but look!!

Look!! I did it!

Writing often feels like a lonely thing since it’s mostly you staring at your computer screen and shouting, “WHY” several times very loudly into the void until the void finally has enough and shouts back. (10/10 recommend for someone to talk to. The void seems nice.) But actually there’s so many people to thank?! I’m such a cliche, but IT’S TRUE. And I already gushed in the acknowledgements of my book…but just…

…thank you to my agent, Polly Nolan, for pulling me out of the slush pile and championing my books. I seriously have a super agent who believes in my work like nothing else and I am so thankful!

…and to my editors at Orchard / Hachette Children’s UK, Megan Larkin and Rosalind Macintosh! And the rest of the team! For falling in love with my book and making it 100 x better and being just the general best! My publicists, cover designer…LOVE YOU ALL.

…to my parents, who always supported my dream to be a writer. Which is huge, really. I am so lucky! And about 14% of thankfulness to my five siblings because n o n e of them have read it, but I did learn how to bicker with siblings from them and put that in my book. So at least there’s that. ¯\_(ツ)_/¯ (Although to the ones that have preordered…you can stay.)

…I’m going to thank cake because I can’t be stopped.

…NO thanks to my dog. Who leaves the room when I try to pet him and thinks my entire bed is his and I am still missing a sock what the heck did you do with it. Stuart in the book is YOU.

…and a Specific Classical Musician (won’t say the name because it’s a bit of a spoiler for my book!) who I listened to on repeat in my teendom until my mum literally took the CD off me.

…to my critique partner, Emily!! Bookstagram Pastel Queen!

…and Maraia (and Sebastian!) for all the help translating the German!

…and just generally Maraia who suffers through reading so many bad drafts of so many books and who is just an incredible friend. I can’t even. You are the best. All our endless texts and book discussions mean the world to me.

….and you. I mean, look at you all. You’re reading this post. You’ve probably read MANY of my posts. You’ve cheered my blog, my social medias, my photography, my snippets, the time I threatened to sort cereal into Hogwarts houses, and my millions of typos because, even now, I pretty much can’t spell. THANK YOU, MY BLOGGING FRIENDS. You are incredible and supportive and it means the worlddddd to me. I’m actually gushing. The Vulcan piece of bread has fallen. I hope you’re happy.

  • I wrote a post on my publishing journey and I was VERY EMOTIONAL.
  • A Thousand Perfect Notes is listed amongst the “romance bestsellers” on Book Depository AND it’s ranked 224…I don’t remotely understand the rankings there, but out of the thousands upon thousands of books, that seems pretty freeeeeaking awesome?!? (It’s not really a romance though but THANKS ANYWAY, BOOK DEPOSITORY.)
  • Move over fanart I have FAN CAKE, which is literally the peak of my author life.
  • People on instagram have been sending me SO MANY PHOTOS and my heart is so so full!
  • It’s literally out in bookstores?!? ON SHELVES. IT IS ON SHELVES.
  • SHELVES
  • IN A BOOKSTORE
  • MY ACTUAL DREAM
  • Someone messaged me this and I just !!!!
  • My blog tour is being lovely!!
  • No Safer Place = why I wrote A Thousand Perfect Notes and the inspiration behind it
  • Once Upon A Bookcase = interview with my cover designer + some looks at early drafts which is sO COOL
  • A Whisper Of Ink = interview with me and the COMPLETELY NICEST REVIEW
  • And more coming!! I will be tweeting links!
  • My book is featured on Kobo’s picks of the month!
  • Incredible reviews have been pouring in! I’m really terrified I won’t get a chance to thank everyone?! I want to! Your support is absolutely amazing. I would give you all the cake of the planets. I know it’s easy to think, “Oh Cait has a big blog, she’s fiiiiine,” but seriously it’s the little reviews, the tweets, the preorders, the constant cheering that actually makes this all happen.
  • (And if you’ve done reviews on your blog, please put them up on retailer sites too!! It makes an amazing difference for me! Like Amazon, B&N, Waterstones, etc.!)
  • I’ll be doing a Twitter takeover and Chat on @DateABook on the 12th! This is so cool and I’m totally nervous ha! Be there if you can, I neeeeed you!
  • And on the 11th I’ll be alllll over Hachette NZ’s instagram page for the day, doing snippets of my writers life + so many colourful explosive photos.
  • You seriously can’t get away by this point.
  • My book is featured in a book box! (Click here to know which, but you will get spoilers for the box, obviously!) It even got an exclusive edition (sprayed red edges!) and I signed hundreds of book plates and am still reeling that this dream came true omg. STOKED.
  • And my instagram challenge is finishing up on the 7th but you can STILL JOIN IN! The hashtag is #1000perfectnotes and all the details are here. I’ll leave it running for a few days for latecomers! Winner gets an annotated copy of my book. The final day is for posting a picture of ATPN (or just the cover on your phone if you don’t have a copy yet!) and I’m hoping it gets a bit of buzz (!!!) which will make this world 1000 x better and I will probably climb the walls, but that’s ok. Chill is to be had by no one anyway.

Here are a few questions I get asked quite often! But feel free to ask me things anytime. You know I don’t bite! I mean well I do bite but it’s only a small bite and sometimes people get hungry ok don’t worry about it.

 

Why did you write A Thousand Perfect Notes?

My stories always come from a huge tangle of ideas. I am forever collecting shiny pieces of inspiration and then working out how they can all fit together. For ATPN, I wanted to retell a classical composer’s life…and maybe add in a bit of a genderbent Cinderella. I wanted to talk about music. And passion…and obsession. I wanted to talk about self-worth and friendship and annoying loveable sibling relationships. I wanted to write a book of contrasts, where it’s sometimes dark and bleak…but also warm and hopeful. I wrote a book full of emotions and intensity and I’m so proud of it.

 

What made you keep pursuing publication?

I don’t think I have the hardest publishing journey of anyone on the planet, for sure, BUT !! it was stressful for me. It was long (5 years since I first signed my agent) and I ate several brick walls and wanted to quit a lot. But my #1 dream in life is to walk into a bookstore and see mY BOOK on a shelf. And honestly I am a fiercely motivated Slytherin so I don’t lose my ambitions till death do us part, basically.

 

Easiest vs hardest thing about this book?

Since it’s my debut, there were a LOT of learning curves in the editing. (Trust me, book 2 has already been easier because I know how it works!) So all the little changes (and then never remembering what stayed/what went) was really hard. Also being on submission FRIED MY NERVES TO SATURN AND BACK. The easiest parts? Writing it was actually really fun and not as terrifying as I thought it would be. Watching it grow into a Real Book™ was incredible. Seeing the cover. Knowing it was at book fairs. Having industry professionals say they LOVE IT. Never never never going to get over that my little book that I wrote with half-frozen fingers because it was so cold in my house and had NO IDEA if anyone would even remotely like it — is a real and loved book. I just !!!!!

!!!!!!!

REALLY JUST !!!!!!

 

Biggest loves vs fears of it being out in the world?

I’ve already gushed about seeing people reading it, seeing it in photos, having people tell me it meant a lot to them (!!) So those are my biggest loves. Also, won’t lie: would be tooootally down for it to be a bestseller, turn into a movie, be published in 17 countries, and have no one mention in my signature that my G looks like a 6. (It DOES but shh.) Anyway all those last things have NOT happened. But I can dream.

My fears are all just the cliches! That everyone will hate it (BRAIN, IT’S NOT TRUE!) and honestly I sigh at how some people write August off as a “manic pixie dream girl.” I shouldn’t say anything much once a book is out, it’s out. It’s yours to interpret now! I respect that fully, believe me. But August gets dismissed because she’s happy. That kind of sucks lol lol. (If she was a boy, she also wouldn’t be critiqued for being happy. I see @ you sexism.  ¯\_(ツ)_/¯) August doesn’t cure Beck, she doesn’t save him, she doesn’t show him how to fix his messed up life. You know what she does? She tells him he’s worth fighting for. She takes him out for cake because he’s upset. She makes herself a safe space. That’s called friendship. 

Anyway I love these two called Beck and August. I LOVE THEM. I’ve been on this journey with them for 3 years and finally they get to find their way out in the world. I AM hAPPY FOR THEM.

 

 

My beginning blogger years were full of me standing atop a box (because I am rather short) saying, “I am taking over THE WORLD.” And everyone smiled and humoured my joke. But look. Look. My book is in dozens of countries. In bookstores. In homes. On kindles. On shelves. Who’s to say I was joking? 

Thank you THANK YOU for supporting me and coming along on this journey! I know I show the sparkly parts a lot, but trust me, there’s blood and tears and hard hard work behind this, and I’m so freaking grateful for everyone who’s helped and believed in me.

I’m pretty freaking proud.

also I’m exhausted I’m going to go melt into the carpet now lmao it was nice knowing you

My Publishing Journey! How I Got An Agent And a Book Deal

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It’s getting to the point where I realise my debut novel comes out in less than a week, and I’m just sit here thinking, “I DID IT???”

I’ve been working towards this for so so long. I often say “IT’S BEEN 5 YEARS IN AZKABAN” because it absolutely has and that’s no small length of time if you think about it. These last 5 years have been absolutely exhausting and full of heartbreak and encouragements and successes and nerves and triumphs — and now I get to actually hold my book???? I sometimes don’t know how to believe this is real.

I’ve been busting to share the details of my publishing journey with you! Every author tumbles into publishing a different way, but it’s interesting to read all the versions…so finally, here we go!

And please FEEL FREE when this post ends, to ask me questions! About publishing or A Thousand Perfect Notes! I may use some of the questions in a little Q&A on release day too.

Do you want to know how I started writing? I have one of those fantastic and heart-warming origin stories.

I was about 6 or 7 years old. I “wrote” the Three Little Bears out with eloquent illustrations and then told my family I’d invented it. HEARTWARMING, SEE? Later, at 12, my little sister started writing stories and was getting way too much attention, so I joined in. But it wasn’t till I was actually 15 that I finished a real book (it was probably barely 40K in retrospect ha) and thought, “Yep, this is going to be my life.”

Author. Bestseller. Adored all over the world. Etc. etc.

I grew up as a rather adorable book monster, the kind who’d hide with Tintin and Narnia on Christmas and ignore everyone, and my house was filled with books…so NONE OF THIS IS MY FAULT. I was doomed. I’ve always been obsessed with storytelling and had an incredible imagination — so figuring out I could tell my own stories plus control the ending plus (obviously) get famous for it someday was life changing.

What more could a little sharp-toothed, curious-eyed book monster want?

At 19, I was ready to start querying.

When I say “I researched”, I mean I was freaking obsessed with it. I still am, honestly. I still research and read and watch and listen to so much about the publishing world.

Before I queried, though: I had critique partners. I’d written dozens of (awful) books. I was really into a few teen writer communities and had feedback from authors. I religiously read advice and tips. I didn’t just work hard, I overworked hard, just in case you wonder if younger-me had some chill?

HAHA HAH AH. NEVER, NO.

 

  • Writing out several versions of my query and ANGUISHING over them.
  • I entered a few contests to get critiques.
  • One (professional) author said, not only did my book not work, my query was awful too.
  • I cried.
  • Seriously querying is super hard on your self-esteem.
  • I queried in the UK and USA. I’m in Australia, but this was 2013 and as much as I researched, I couldn’t find many Aussie agents?! I remember the biggest one took ONLY snail mail! Which they posted back to me…ya, thanks.
  • I pretty much angsted and freaked out over making sure I followed every individual agent’s guidelines.
  • I GOT REJECTIONS.
  • I didn’t actually track it very well, because the rejections were devastating for me and I’m sooo not the whole “Put your rejections on the wall!” type of writer. My opinion on that: the heck no. I put encouragement on my walls, thanks.
  • I did about 20-30 queries? Maybe less.
  • They were all form rejections except…maybe…2?????
  • Mostly there was nothing.
  • Technically I’m still waiting to hear back from about 10 agents.  ¯\_(ツ)_/¯
  • I started to think Professional Author Who Said I Wasn’t A Good Writer was right…
  • Then I got one yes.
  • I only needed one yes.
  • I signed with Polly Nolan @ Greenhouse Literary UK (who is, by the way, a super agent and our visions for my writing click so so well and I couldn’t be happier)!!! Seriously best moment.
  • This took about 10 months all up.

Things did go slowly at first.

I was signed for a dark YA fantasy that I’d been rewriting and rEWRITING since I was 15, so it was like The Story™ but it needed help. We did a lot of editorial work first. (I still have no idea why I got signed loooool. I’m relieved I did! Don’t get me wrong! BUT HOW DID I GET SIGNED.) Then we went out on submissions to UK publishers.

Then we got rejected.

So my agent said, “What about another book? What about a contemporary?”

And I being (a) desperate, (b) incredibly motivated to work my eyeballs out, (c) wanting this dream to be a reality mORE THAN ANYTHING, (d) being excruciatingly good at saying “yes” and thinking later, and (e) really open to advice…

I said “I’D LOVE TO!”

(Note: I had written 15 books before this. None of which were contemporary.)

Apparently, it seems, I am tolerably good at contemporary. I insert a smug little cute smile here.

Because in 2015 I wrote a little book called “Tremolo.” After revisions and edits, my agent suggested the title, A Thousand Perfect Notes.

In 2016, when I was twenty-one, I signed a 2-book contemporary deal with Orchard / Hachette Children’s UK.

I actually got the email at 4am, because WHO SLEEPS (#insomniac #life) and waited until about 8am for my family to rise from the dead so I could just lurk awkwardly and stare at them which is absolutely how you convey you have a book deal. I swear, I’m super good at communication.

I stood atop a mountain for about 6 months, just screaming in relief. I am a good writer. I am worth a book deal. I worked so freaking hard and long for this and I made it.

(Also I apologies to everyone I ABSOLUTELY LIED TO for the 16 months between signing my deal and announcing it. Ha ha hahaha. Oh wow. I am great.)

Has it been a super easy road?! OH YOU SWEET SUMMER CHILD.

Haha hahha no.

As you can see, I didn’t have any magical shortcuts. I didn’t do query contests or pitchwars (I didn’t even have a twitter for ages?!) and I didn’t have 4989 agents asking for me or 9389 publishers vying for my book. I am the poster child of: “IT JUST TAKES ONE YES” for publishing. And it is so true. This is success and I am proud and happy! And freaKING NERVOUS.

I have social anxiety and autism, which makes communicating hard for me, but my agent and publisher has been 100% onboard with meeting my needs. I have a big online audience, but it actually did 0% in getting my book deal. (It’s the writing that’s important, peoples!) And little things went wrong along the way…like my ARCs didn’t have my copy-edits in them, and I didn’t get to do a cover reveal, and there’s been lots of niggling things behind-the-scenes that haven’t been perfect. I have stressed. I have eaten through a few brick walls.

I’m not telling you that to complain. I’m saying publishing isn’t perfectly smooth for anyone! It has its highs and lows. I’m pretty sure 0% of debut authors have got it all together.

And between all the waiting and hoping — I was writing. If I can ever give one piece of advice to writers pursuing publication: WRITE AND WRITE SOME MORE. Write literally millions of words. Nothing makes you better and more confident than sheer amounts of practise.

 

And the things I still can’t stop happily freaking out about??

Getting translation deals! Seeing people wanting for my book without me having to spend 398 years begging them to read it like I did pre-getting-a-deal (HAHAH LIFE IS SWEET). My editors saying the most AMAZING things about my owrk. Also my editor crying…oh oh my halo just slipped can someone grab that for me.

Having people understand my work. Having professionals improve my work and now my writing is 100 x better and I still can’t get over that. Having my book go to book festivals in Europe! Getting a gorgeous cover (!!!) Knowing I have a SECOND book coming out in 2019. My publishers bought a book off me that didn’t even EXIST yet. I still can’t get over how amazing that is.

And holding my hard work in my trembling paws and knowing that I finally finally did it after I thought I might never get here.

I am all sparkly and my heart is so full right now!

 

Also, I will just say: getting a book deal is wonderful for the self-confidence. 10/10 would recommend.

Thanks for coming along on this publishing journey! Even if you’ve just started reading my blog or been here for the last 7 years…it’s been amazing to share this with you! Look I’m getting emotional, ugh, someone bury me.

A Thousand Perfect Notes is out in just 5 days!

if you’re a writer, feel free to tell me what your journey has looked like so far! plus ASK ME QUESTIONS! about my book(s) or publishing! i am answering!